Leo Cordes-Dermota

Leopold Dermota was appearing on stage as Leo Cordes-Dermota (Kordež was his mother's maiden name). He was a metal worker first (Kropa, the village where the Dermotas came from, traditionally produced hand-made nails), then an engine fitter, then followed his elder brother Anton to Vienna, studied voice with the same teacher, and became a tenor like Anton.

He spent his career in smaller houses in Austria (like in Innsbruck or at the Vienna Volksoper), Germany (Würzburg) and Switzerland. His debut is usually given as "1942 at the Landestheater in Salzburg", and while it seems true that he came to Salzburg in 1942 (and stayed there until 1950), that was not his debut as he already sang one evening at the Vienna Staatsoper in February 1939 (see below). He also sang at the Salzburger Festspiele 1949 (concert) and 1951 (Arbace in Idomeneo and as a soloist in Mozart's Great Mass in C minor).

While pursuing his career in leading parts in the provinces, Cordes-Dermota used to sing minor roles at the Wiener Staatsoper at the same time:
Der fliegende Holländer (Steuermann, February 15, 1939); Un ballo in maschera (Diener, 16 times, December 13, 1946 to May 25, 1948); Boris Godunov (Missail, twice, July 26 1945 and August 2 1945); Carmen (Remendado, 12 times, November 21, 1946 to October 26, 1947); Madama Butterfly (Goro, September 2, 1946); Pagliacci (Beppo, 7 times, December 6, 1946 to November 27, 1947); Salome (Dritter Jude, May 17 1947); Schwanda der Dudelsackpfeifer (Erster Gendarm, 16 times, January 1, 1947 to May 21, 1947); Die toten Augen (Hirt, April 29, 1950).

Leo Cordes-Dermota sings Carmen: Du bist's? Ich bin's, with Hilde Büchel
Büchel sang 1943-45 in Luzern; 1944-46 at the Städtebundtheater Biel-Solothurn; 1946-48 at the Stadttheater in Basel; 1948-51 again at the Städtebundtheater Biel-Solothurn; 1951-56 at the Landestheater in Kiel; 1956-57 at the Stadttheater in Lübeck; 1957-60 at the Stadttheater in Zürich; 1960-61 at the Opernhaus in Frankfurt a.M.; and from 1961 until her 1966 death at the Stadttheater in Heidelberg. She also made guest appearances in 1951, 1953 and 1960 at the Hamburger Staatsoper.
I would like to thank Robert Schlesinger for the recordings and notes.

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