Blondel first studied the violin, then singing with Jean Planel at the Troyes conservatory.
After the war, he became a member of the Marcel Couraud vocal ensemble.
From 1948, he starts his career in the French provinces as first tenor singing Almaviva, Faust, Wilhelm Meister,
Gérald, Nadir, Cavaradossi, Alfredo, Pinkerton, ...
Thanks to Mado Robin, his partner during performances of Lakmé and Rigoletto, he was asked by Pathé Marconi to record
highlights from Rigoletto with her.
Thanks to that, Georges Hirsch, the director of the Paris Opéra hired him.
He sang at the Opéra from 1950 to 1964 and appeared in Faust (from 30 March 1959) and Rigoletto (from 1961).
In parallel, he continued a career in the French provinces, toured central America, sang in Mauritius, at the Liceu in Barcelona, and in
North Africa.
He retired from the stage in 1964 while still giving recitals. He also taught singing.
Reference: Nouveau dictionnaire des chanteurs de l'Opéra de Paris
by Jean Gourret,
Editions de l'Albatros 1989