Fiorello Giraud
His father Lodovico was a famous tenor, and well-off, but he contracted
yellow fever and died on tour in Mexico – and 12-year-old Fiorello found himself all of a sudden orphaned, and without a
dime. He had to do unqualified work already as a boy for sustenance, as a runaround for the telegraph office and as an assistant
baker and horseshoer.
But he wanted to be a tenor like his father. With the help of a patron, he could enroll at the conservatory, and later study
privately in Milano with tenor Enrico Barbacini. In December 1891, he made his debut as Lohengrin in Vercelli. Ruggero Leoncavallo
happened to attend one of the Vercelli performances, and chose the young singer for the world premiere of his Pagliacci as
Canio, at the Milano Teatro Dal Verme on 21 May 1892. It was a triumph, and made Giraud famous. He went on to sing in Ancona,
Parma, Alessandria, Brescia, Modena, Milano again (at the Teatro Manzoni, this time) and Verona, mostly as Canio.
In 1894, he made a tour to Australia, and in September of the same year, he was very successful in Warsaw as Canio, Gounod's
Faust and Don José, and in Il piccolo Haydn by Cipollini. A large part of his career took
place in Italy: at La Fenice in Venice, in Bologna, Rome (both Teatro Costanzi and Teatro Nazionale), Milano (Teatro Lirico),
Palermo (Teatro Massimo), Genova (both Teatro Carlo Felice and Politeama), Torino, Florence, Pisa, Trieste. In 1907, he made his
Scala debut as Siegfried in Götterdämmerung.
Abroad, he sang in Rosario, Buenos Aires, Valparaíso, Santiago de Chile, Barcelona, Madrid, Lisbon, Cairo, Alexandria,
Monte Carlo.
His repertory was primarily dramatic: Loris, Tristan, Tannhäuser, Siegmund, Young Siegfried, Stolzing, Puccini's des Grieux,
Vasco da Gama, Osaka, Federico Loewe (Germania); but he also sang Cavaradossi (he was famous for his Puccini
interpretations), Roberto in Le villi, Rodolfo, Fenton, Cassio, Alfredo, Ernani, Enzo Grimaldo, Chénier, Turiddu,
Amico Fritz, Milio; rarer operas he interpreted were Fadette by Dario De' Rossi (world premiere, Rome, January 1896),
Amy Robsart by Isidore de Lara, Chatterton by Leoncavallo, Sapho by Massenet, Ero e Leandro by Luigi
Mancinelli, Medea by Ferdinando De Tommasini (world premiere, Trieste, April 1906), Sperduti nel buio by Stefano
Donaudy (world premiere, Palermo, April 1907) or Il trillo del diavolo by Stanislao Falchi. At La Scala in 1908, Giraud
was Italy's first Julien in Louise, as well as Italy's first Pelléas.
He quit the stage in 1918, and appeared in a few Italian silent films until 1921. Then he taught voice in Parma.
Reference 1, reference 2, reference 3: Kutsch & Riemens, reference 4: Dizionario
biografico degli italiani, vol. 56, Roma 2001
I wish to thank Ashot Arakelyan for the picture . I wish to thank Richard J Venezia for the recording (Carmen). I would like to thank Thomas Silverbörg for the recording (Luisa Miller). Gramophone, Milano, April 1904 2188h Andrea Chénier (Giordano): Come un bel dì di maggio 52046 2190h Tannhäuser (Wagner): Sia lode a te 52047 2191h Meistersinger von Nürnberg (Wagner): Nel verno al piè 52048 2192h Oblio (Tosti) 52049 271i Ancora (Tosti) 052067, Victor 58317 272i Carmen (Bizet): Il fior 052069, Victor 58318 273i Luisa Miller (Verdi): Quando le sere 052070, HLM7124, HLM7258 274i Meistersinger von Nürnberg (Wagner): Cominciam 052071 Gramophone, Milano, 16 March 1916 6439ae Rosa (Tosti) 7-52081, 7-252228, R3843 6440ae Sogno (Tosti) 7-52082, 7-252229, R3843 6441ae Io ricordo (Tosti) 7-52084, 7-252030, R3845 6443ae Invano (Tosti) 7-52085, 7-252032, R3847 Gramophone, Milano, 18 March 1916 6445ae Rimpianto (Toselli) 7-52091, 7-252237, R3851 6446ae Lungi (Tosti) 7-52088, 7-252234, R3849 6447ae Primavera (Tosti) 7-52089, 7-252235, R3849 Gramophone, Milano, 1 April 1916 6488ae Oblio (Tosti) 7-52083, 7-252231, R3845 6489ae Ave Maria (Grigolato) 7-52090, 7-252236, R3851 6490ae Non m'ama più (Tosti) 7-52086, 7-252233, R3847 Gramophone, Milano, 18 July 1917 20092b Jocelyn (Godard): Ninna nanna 7-52132, 7-252182, 7-252238, R3853 20093½b Sérénade d'autrefois (Silvestri) 7-52133, 7-252183, 7-252239, R3853Sources: Robert Johannesson's 78opera.com (alas defunct); Gesellschaft für historische Tonträger, Wien |