Ignacy Dygas

29 July 1881 Warsaw – 17 May 1947 Warsaw

Picture of Ignacy Dygas

Picture of Ignacy Dygas

Picture of Ignacy Dygas
Dygas studied at the University of Warsaw. He first took singing lessons with the baritone Józef Szczepkowski, who thought he was a baritone, too; then with Witold Aleksandrowicz, who correctly categorized him as a tenor.

In January 1905, he made his debut as baritone as Valentin at the Teatr Wielki in Warsaw. In May of the same year, he made a second debut as Jontek (using the name Ignacy Gorczyński). He stayed at the Warsaw opera until 1907.

From 1907 to 1913, Dygas toured Italy (using the name Ignacio Digas); he first took further voice lessons in Milan with Vincenzo Lombardi, then he sang in Napoli (San Carlo), Palermo (Massimo), Genova (Carlo Felice), Roma (Costanzi), Milano (Lirico), and Bologna (Comunale). His most important roles at that time were Lohengrin and Pollione.

He also sang in Spain (Madrid) and South America (Rio de Janeiro, Buenos Aires, and Montevideo).

Some of his appearances in those years include:

Andrea Chénier
February 1911, Palermo – Teatro Massimo with Maria Llacer, Ernesto Badini

Lohengrin
February 1908, Torino – Teatro Regio with Linda Farneti, Tina Alasia, Antonio Magini Coletti, Mansueto Gaudio
August 1908, Faenza – Teatro Masini with Amina Matini, Tina Alasia, Bartolomeo Dadone, Oreste Carozzi, Sebastiano Cirotto
December 1908, Parma – Teatro Regio with Maria Antonietta Isaia, Marie Grassé. Marino Aineto, Luigi Ferroni, Nazzareno Franchi
November 1909, Madrid – Teatro Reale with Adele D'Albert, Elisa Petri, Francesco Cigada/Emilio Cabello, Angelo Riccieri
February 1910, Roma – Teatro Costanzi with Linda Farneti/Maria Antonietta Isaia, Luisa Garibaldi, Domenico Viglione Borghese/Virgilio Romano, Carlo Walter/Sebastiano Cirotto, Virgilio Mentasti/Roberto Janni
May 1910, Buenos Aires – Teatro Colón with Solomija Krushelnytska, Luisa Garibaldi, Riccardo Stracciari, Nazzareno De Angelis
23 August 1910, Montevideo – Teatro Solís with Solomija Krushelnytska, Luisa Garibaldi, Riccardo Stracciari, Nazzareno De Angelis, Ernesto Badini
February 1912, Mantova – Teatro Sociale with Camilla Pasini/Bianca Lenzi, Maria Curellich, Ciro Scafa, Alfredo Brondi, Alessandro Antonoff
November 1913, Bologna – Teatro Comunale with María Llacer/Maria Mokrzycka, Elisa Petri/Virginia Guerrini/Władisława Chotkowska, Francesco Maria Bonini/Francesco Cigada/Amerigo Passuello/Ciro Scafa, Giulio Cirino, Enrico Molinari/Ercole Filippini

Die Götterdämmerung
20 August 1910 Montevideo – Teatro Solís with Solomija Krushelnytska, Luisa Garibaldi, Enrico Nani, Nazzareno De Angelis, José Mardones

Un ballo in maschera
25/30 August 1901 Montevideo – Teatro Solís with Solomija Krushelnytska, Riccardo Stracciari, Luisa Garibaldi, L. Garavaglia

Norma
February 1909, Parma – Teatro Regio with Giannina Russ, Luisa Garibaldi, Luigi Ferroni
February 1909, Torino – Teatro Regio with Giannina Russ, Luisa Garibaldi, Vito Dammacco
October 1909, Milano – Teatro Dal Verme with Giannina Russ/Emma Hoffmann, Luisa Garibaldi, Angelo Masini Pieralli
March 1910, Roma – Teatro Costanzi with Giannina Russ, Luisa Garibaldi, Carlo Walter
June 1910, Buenos Aires – Teatro Colón with Giannina Russ, Luisa Garibaldi, Nazzareno De Angelis
28 August 1910 Montevideo – Teatro Solís with Giannina Russ, Luisa Garibaldi, Nazzareno De Angelis
? 1910, Napoli – Teatro San Carlo with Giannina Russ, Luisa Garibaldi, Berardo Berardi
February 1911, Palermo – Teatro Massimo with Giannina Russ/Emma Hoffmann, Luisa Garibaldi/Zelmira Battaggi, Angelo Ricceri/Alfredo Venturini

Tannhäuser
November 1909, Madrid – Teatro Real with Helena Ruszkowska, Flora Perini, Riccardo Stracciari, Angelo Riccieri, Vittorio Brombara

ANNO

CITTA

TEATRO

TITOLO

1908

FAENZA

MASINI

LOHENGRIN

1908

PARMA

REGIO

LOHENGRIN

1908

TORINO

REGIO

ARIANE di J. Massenet

1908

TORINO

REGIO

LOHENGRIN

1909

GENOVA

CARLO FELICE

IL PRINCIPE ZILAH di F. Alfano

1909

MADRID

REAL

LOHENGRIN

1909

MADRID

REAL

TANNHÄUSER

1909

MILANO

DAL VERME

NORMA

1909

MILANO

DAL VERME

TOSCA-NORMA-AIDA-GERMANIA-IL PRINCIPE ZILAH di F. Alfano

1909

PARMA

REGIO

NORMA

1909

TORINO

REGIO/

NORMA

1910

NAPOLI

SAN CARLO/

NORMA

1910

ROMA

COSTANZI/

LOHENGRIN

1910

ROMA

COSTANZI/

NORMA

1911

PALERMO

MASSIMO

AIDA

1911

PALERMO

MASSIMO

ANDREA CHÉNIER

1911

PALERMO

MASSIMO

NORMA

1911

PALERMO

MASSIMO

GÖTTERDÄMMERUNG

1913

WARSZAWA

WIELKI/

BALLO IN MASCHERA

1910–14, he sang again in Poland. (In 1913, he was director of the Warsaw opera.)

1913/14, he was a soloist at the National House in Saint Petersburg; 1914–16, he was at the Zimin in Moscow; and 1916/17, he was at the Bolshoj. The reference states that he sang German at the Mariinskij, but this is very probably wrong as he is not listed in the Mariinskij chronology..

He also sang in Saratov (1915) and other Russian cities. In 1917, Dygas started to sing again in Warsaw. In 1918, he organized an opera company touring Poland. 1919 to 1924, he was a soloist at the Wielki.

In 1924, he went to live and sing in the USA (Chicago, New York, Detroit).

He toured Romania (1927) Yugoslavia (1928), and Czechoslovakia. In 1937, he returned to Warsaw singing Éléazar. This was his official farewell. Until his 1947 death, he appeared occasionally on stage.

His repertory included: Wacław (Maria by Roman Statkowski, 1 March 1906 in Warsaw with Helena Ruszkowska, Józef Chodakowski), Andras Zilah (Il principe Zilah by Alfano on 3 February 1909 in Genova at the Teatro Carlo Felice with Bennett Challis, Margot Kaftal, Giuseppe Segura-Tallien and Ettore Panizza), Lionardo (sic!) da Vinci (Meduza by Ludomir Różycki on 26 October 1912 in Warsaw with Jadwiga Lachowska, Melanie Wohl-Lewicka), Ole Nielsen (Ole iz Nordlanda by Ippolitov-Ivanov in 1916), Casanova (Casanova by Ludomir Różycki on 8 June 1921 in Warsaw with Adelina Czapska), Stary król/The aged king (Hagith by Karol Szymanowski, world premiere on 13 May 1922 in Warsaw with Stanisław Grusczyński, Maria Mokrzycka), Giani (Beatrix Cenci by Ludomir Różycki, world premiere on 30 November 1927 in Warsaw with Adelina Czapska, Eugeniusz Mossakowski, Wanda Wermińska), Boleslav Chaplinskij (Pan Voevoda by Rimskij-Korsakov in 1905 in Warsaw), German, Jontek, Éléazar, José, Radames, Cavaradossi, Canio, Herodes, Tannhäuser, Tristan, Siegmund, Parsifal, Andrej Khovanskij, Raoul, Masaniello, Néron, Samson, Pinkerton, Stolzing, Stefan, Siegfried, ...

He recorded for Gramophone, Edison, Kalliope, Pathé, Syrena, Odeon, Favorite and Victor.

1929 to 1931, he was chairman of the union of Polish artists. He taught singing in Lublin and Warsaw. Among his students was Bogdan Paprocki.

Reference: A. M. Pruzhanskij: Otechestvennie pevtsy (Domestic singers) 1750–1917, part 1, Moscow 1991

Ignacy Dygas singsPójdż skarbie mój
The label says this song was composed by Leoncavallo, but that's wrong, and not just because they wrote "Leonkavallo". "Pójdż skarbie mój" means roughly "Come, my darling" – and that's certainly the equivalent of "Vieni, amor mio", which is the title of a Leoncavallo song, and "Pójdż skarbie mój" is definitely what Dygas sings. However, the tune here is not Leoncavallo's; someone back then at the record company must have mixed up a (Polish?) song of that title with the one by Leoncavallo, whose (Italian) title means the same. So we'll probably never find out who actually wrote this song.

Ignacy Dygas singsJeszcze Polska nie zginęła (Polish national anthem)

Ignacy Dygas singsLohengrin: Mein lieber Schwan, in Polish

Ignacy Dygas singsHalka: Szumią jodły
In RA format

Ignacy Dygas singsIl trovatore: Di quella pira, in Polish
In RA format
I wish to thank Anton Bieber for the recording and label scan of Pójdż skarbie mój.
I wish to thank Thomas Silverbörg for the recording (Lohengrin).
I wish to thank Richard J Venezia for the recording (Halka).
I wish to thank Vladimir Efimenko for the pictures and recording (Trovatore).
I wish to thank Roberto Marcocci for the information on the appearances in Italy, Spain and South America.

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