Pepe Romeu

15 February 1900 Lorca – 8 April 1985 Alicante

Picture of Pepe Romeu

Pepe Romeu sings La pícara molinera (Luna): No importame que me encierren

Pepe Romeu sings Rimpianto, in Spanish

Pepe Romeu sings Los gavilanes (Guerrero): Flor roja

Pepe Romeu sings La Dolores: Henchido de amor santo

Pepe Romeu sings Amapola

Pepe Romeu sings El último romántico: Noche de amor
In RA format

Pepe Romeu sings Manon: Chiudo gli occhi
In RA format

Pepe Romeu's real name was José Rizo Navarro; he was the son of the well-known actress Rafaela Rizo Navarro. Romeu was the name of his stepfather, another actor, who adopted him.

At a young age, he started to appear as an actor in straight theater: at the Teatro Eslava in Valencia, at the Infanta Isabel in Madrid, again at the Eslava, and then at the Teatro Español in Madrid, where in 1919 he premiered La cenicienta by the eminent Spanish playwright and 1922 Nobel Prize winner Jacinto Benavente, who was the Español's director at the time.

Romeu's breakthrough came in Caracas, Venezuela, in 1921: he toured South America with a troupe headed by another important Spanish playwright, Francisco Villaespesa, whose play Bolívar they premiered in Caracas – a triumph for Romeu. When the troupe was in Buenos Aires, he met Giacomo Lauri-Volpi, who strongly advised him to switch to singing, and recommended him to conductor Gino Marinuzzi, who helped him into his new profession.

Back in Spain, Romeu continued to play straight theater and premiered, with his own troupe, La muerte del ruiseñor by Enrique Contreras y Camargo and Leopoldo López de Sáa, at the Teatro Cómico in Madrid. But soon, Romeu became one of Spain's leading zarzuela tenors (without entirely abandoning straight theater, though). He appeared a lot at the Teatro Apolo in Madrid, but also at the Teatre Tívoli in Barcelona for instance, where he premiered La severa by Rafael Millán on 23 December 1925. At the Apolo, he took part in the world premieres of El último romántico by Reveriano Sotullo and Juan Vert (9 April 1928), and Los flamencos by Amadeo Vives (15 November 1928).

Romeu also shot several films (both musical and not) from 1922 to 1958.

After a vocal crisis, he returned exclusively to the straight theater, being particularly associated with the works of Jacinto Benavente, who had already been crucial for the early stage of Romeu's career. Shortly after Benavente's death, the world premiere of Benavente's posthumous play Por salvar su amor (Teatro Calderón, Madrid, 3 November 1954) boasted Romeu as both stage director and actor. Late in his life he was a member of the jury in the vocal competition "María Ros de Lauri-Volpi", founded by Giacomo Lauri-Volpi in homage to his late wife María Ros.

Although singing was in fact his second job, Romeu's vocal and technical excellence, his crystal clear diction and his absolutely outstanding and highly individual musicality put hundreds of full-time and life-long opera singers to shame; his timbre is certainly not conventionally beautiful, and yet his recorded legacy is certainly among the best of all singers, and perhaps the very best of all zarzuela tenors.

Reference 1, reference 2: Aria CD booklet ("50 tenors espanyols"), reference 3, reference 4, reference 5

I wish to thank Thomas Silverbörg for the recording (El último romántico).
I would like to thank Vladimir Efimenko for the recording (Manon) and picture.

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